Month: October 2011
Theatre Festival
Blind Date & 27 Wagons Full Of Cotton
Does advertising a play as “rarely performed” excite you or raise your suspicions about the play’s entertainment value? I have to say that for me the latter is sometimes true. I’m likely to respond more positively if the play is the work of a respected playwright, either an early or ‘forgotten’ work for example. For this reason, I applaud Make&Bake Production’s choice of Blind Date by Horton Foote & 27 Wagons Full Of Cotton by Tennessee Williams, though Williams is certainly better known that the Pulitzer and Oscar Award winning Foote. Nonetheless, perhaps the full-house I was part of in Studio 3 at Riverside Studios on Friday night indicates how the London fringe is key to widening an audience’s experience of the works of respected dramatists.
Into Shakespeare
The Taming Of The Shrew
As Shakespeare’s comedy The Taming Of The Shrews highlights, the history of gender politics goes further into the past than the history of suffragettes and equal rights. The idea of a ‘shrew’ is steeped in a mythological ancestry in which furies of one kind or another, once provoked, go on their destructive rampage. Arguably, what Shakespeare shows us in Katherine is the shrew in modern terms, when economic power forms a decisive part of ‘love and marriage’ and aggression has feminine as well as male characteristics.
Theatre Festival
My Hometown is in my Shoes/ The Other
The ground is seen as a surface from where all things originate. Movements sprout from the soil as a force of resistance in the face of disappearance. The work reconsiders the shoe beyond its practical function where the object can adopt different meanings.
