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Cognitive Strategies for Analysing & Evaluating Theatre Performances

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Ricky Dukes

The Spanish Tragedy

November 29, 2022September 25, 2013 by Josey De Rossi

Lazarus Theatre productions never fail to grab you from the moment you enter the theatre. You step through into a world of mayhem as if stepping through an invisible membrane that divides you from where you’ve come. At the Blue Elephant Theatre.

Categories Elizabethans & Jacobeans Tags Blue Elephant Theatre, Lazarus Theatre, Ricky Dukes, Thomas Kyd

King Lear

January 6, 2025May 23, 2013 by Josey De Rossi

Magnificent from the outset: I was gripped viscerally and imaginatively from the moment the thunderous music catapulted Lear’s savage kingdom onto the stage.

Categories Elizabethans & Jacobeans Tags Greenwich Theatre, Lazarus Theatre, Ricky Dukes

Dido, Queen of Carthage

December 2, 2022May 15, 2013 by Josey De Rossi

There’s something quite brilliant about the way Ricky Duke deals with the realisation of poetic language in Dido Queen of Carthage. For me, he seems to work with the metaphors that characterise mythical places and peoples with a boldness of approach that is quite breathtaking.

Categories Elizabethans & Jacobeans Tags Christopher Marlowe, Greenwich Theatre, Lazarus Theatre, Ricky Dukes

Oedipus – After Sophocles

January 6, 2025March 1, 2013 by Josey De Rossi

The choice to stage Oedipus seems obvious… it’s a great play. Ricky Duke’s carefully choreographed and nuanced realisation of the play enlivens a sense of the heroic.  He does this by setting Oedipus on his calamitous path in a political maelstrom.

Categories Dramatic Adaptations Tags Blue Elephant Theatre, Lazarus Theatre, Ricky Dukes

Why Fringe Theatre Is Vital?

The reviews on this site show my work as a theatre historian. Besides my doctoral research, I large part of my research occurred when I worked as a theatre reviewer for the London Fringe Theatre between 2011 to 2013. I began my research in theatre entrepreneurship to understand how my students could successfully work in the creative industries. From this viewpoint, I discovered that London's 'best-kept secret' was its 550+ fringe theatre companies and organisations that fed the imagination and the economic prosperity of its artists. Even in the most difficult times, I believe its worth exploring the implications of looking at the inventiveness of the companies and schools who continue to create work 'on the fringe' of their mainstream cultures.

Categories

  • Circtacular at The Drum Theatre Dandenong
  • Shakespeare’s Tempest On The Gold Coast
  • Told by an Idiot’s Get Happy at the Barbican
  • The Jungle Book at the Lion and Unicorn Theatre
  • Namatjira at the Southbank Centre, London
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